Jedi Wright
I work mostly in digital photography and design. Photography has been my go-to creative visual outlet for years. I generally approach it spontaneously and outdoors, in and around nature. I typically start from a place of emotion, mood, and energy to inform the medium and subject material. And much of my work is as subconscious as it is intentional. As with my professional design work, I begin with rapid ideation, generating as many ideas as possible through divergence. In my design thinking, “diverge” is the phase where I generate various ideas, exploring various possibilities without judgment. “Converge” is narrowing down those ideas, critically evaluating them, and focusing on a specific theme, concept, and direction. Many explorations focus on juxtaposition, motion, tension, time, mood, and nostalgia. I enjoy exploring the intersection of nature and artificial subject matter, frequently railways, architecture, and other fabricated/built environments. As with client work and outcomes, my creative outlet pays dividends for my health and well-being. It allows me to explore my creative ambitions and recharge for future work engagements, bringing fresh perspectives.

Benjamin Influenced
This image confronts the commodification of knowledge and the transactional weight of creative labor. Inspired by Walter Benjamin’s “The Work of Art in the Age of Mechanical Reproduction,” it reflects how capitalist structures addict us to productivity and profit. The surgical blade, hundred-dollar bills, and archival folders intertwine to suggest how even intellectual or artistic pursuits can become compulsions when tethered to value systems rooted in money and extraction.
Photograph

Hang Man (Squared)
A visceral representation of bodily entrapment, this photo uses motion blur and mirrored figures to depict the cyclical torment of substance addiction. The repeated form becomes a specter of self, caught in a suspension of identity and gravity. Chains
Photograph
Un-Augural Exhibition
for Jedi Wright, Tristan Edwards-Wright
We’re submitting a collaboration-based series for the upcoming exhibition as a joint artist submission between Jedi Wright and Tristan Edwards-Wright.
We've collaborated on a series of three images with two variations, both in color and black and white, in which we revisit our photos from the 2017 Women's March with some recent, slightly provocative ones layered in as some photo compositions.